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She spoke with an entirely false note of cheerful offhandedness. She had exposed the real story behind Peters tragedy, that dark, handsome Chuck had killed himself by leaving the car running in the garage, not from a “heart attack” as 111 claimed the party line. Melusine approached with caution and sat warily at one end, looking up at him expectantly. Immeasurable disgust possessed her. She wormed her way past Sebastian, glanced at her mother’s blackened face, her obscenely naked body bulging with yellow and black buboes under the arms and in the groin that oozed stinking fluid. She was discussing one of those modern advanced plays with a remarkable, with an extraordinary, confidence. Some day, when the rewards of literature permit the arduous research required, the Campaign of the Women will find its Carlyle, and the particulars of that marvellous series of exploits by which Miss Brett and her colleagues nagged the whole Western world into the discussion of women’s position become the material for the most delightful and amazing descriptions. Every now and then she fingered an ornament, moved a piece of furniture, or rearranged some draperies. She spent a very disagreeable afternoon and evening—it was raining fast outside, and she had very unwisely left her soundest pair of boots in the boothole of her father’s house in Morningside Park—thinking over the economic situation and planning a course of action. ‘This from a man who calls himself my friend.

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