The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. While waiting for his coming she had stated her present and future relations with him with what had seemed to her the most satisfactory lucidity and completeness. He just walked in a few minutes ago. She made up her mind in the train home that it should be a decisive crisis. For a time she could scarcely believe he was gone.
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